The Deeper Meaning of Liff, Douglas Adams
Read: 17 February to 19 February 2012
4 / 5 stars
I've
been reading and loving Douglas Adams's works since I was in middle
school. While it's possible to translate this as my sense of humor not
evolving much in 15 years, I'd rather embrace the notion that I was
saddled with a funny bone (among other things) that would have served me
much better had I been born on the other side of the Atlantic. Either
way, the real point is that diving into anything penned by one of my
all-time favorite writers always feels a little bit like coming home or
slipping into a pair of lovingly wrecked Chucks. Especially since I've
had a hankering for something delightfully British and wryly executed,
which is pretty much a combination that exemplifies Adams perfectly.
This goofy little book starts out with the only
instances of me both being positively tickled by a phonetic guide and
finding an alphabetical sequence of maps to be decidedly hilarious (my
usual inability to accept skewed images of familiar land masses -- like
an upside map projection, which just freaks me out -- was deftly avoided
by the masterminds' execution). I wasn't really sure what the point of such things was
until I deigned to read the book jacket and discovered that the whole
premise of this publication is reimagining funny-sounding place names (the easy
target of Gobbler's Knob is woefully absent but Wetwang picks up that
slack) as simpler ways of naming those hard-to-summarize nouns, verbs
and social gaffes that no one wants to acknowledge as common experiences
or ever thought to wrap up in easy-to-express packaging for mass usage.
The
breakdown of these definitions is equal parts polite renaming of
slightly less polite realities (Moisie: the condition of one's face
after performing cunnilingus), identifying those small annoyances that
comprise a lousy day when you've encountered just the right frequency
and parade of them (Salween: a faint taste of dishwashing liquid in
a cup of tea; Fladderbister: the part of a raincoat that trails out of a
car after you've closed the door on it), recognizing those awkward
inevitabilities that come with maintaining the illusion of ours being a
civilized society (Shifnal: an awkward shuffling walk caused by two or
more people in a hurry accidentally getting into the same segment of a
revolving door) and addressing those annoying habits that result in an
individual's repulsion being the only universally and implicitly
agreed-upon reaction (Dinsdale: one who
always plays Chopsticks on the piano), with some
uncategorized
silliness thrown in for variety.
A celebration of humanity's
finer points, it's not -- because where's the humor in THAT? But it is
an entertaining and quick little read that offers the unexpected bonus
of a warm, tingly assurance that someone, somewhere, appreciated the
need for words to describe all the uncomfortable phenomena that one wonders if anyone
else has ever experienced. Like that three-week-old unidentifiable lump
in the fridge or the feeling one gets when cornered by the least
agreeable person at a party, only to have a moment of ecstatic relief to
realize that that person isn't you.
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