Orlando, Virginia Woolf
Read: 11 September to 2 October 2012
4 / 5 stars
A mere 10-minute drive has separated me from my college best friend
since March. Even with my knack for getting hopelessly lost in the wilds
of Central Jersey, it’s the shortest distance between us since our days
as roomies; unsurprisingly, however, life since we graduated six years
ago has been filled with things like work and conflicting schedules and
living with significant others whose company we actively enjoy,
which means that we don't get to see each other as frequently as we
would in a perfect world.
When she got engaged last month, I was
among the first to know. And when she announced her happy news, it was
in nearly the same breath that she asked me to be her matron of honor.
It’s not like I've been writing my MOH speech since college or anything, which is rather fitting:
Though our friendship didn’t blossom until we found each other through
mutual friends in the final days of our sophomore year, she and I first
crossed paths in a freshman oratory class wherein our final project -- a
toast of some nature -- was called off when our professor had a family
emergency that semester.
The way we became fast friends underscored the dawning realization that she was the first girl friend
who I let bring out the unabashedly, endlessly silly THIS IS MY BESTIE
FOR ALWAYS AND I LUUUURVE HER SO MUCH behavior that has
punctuated our friendship for nearly a decade. Until we glommed onto each other in the wake
of another friend's tragedy early in our junior year, I'd thought of
myself as someone who'd always have peripheral female friends and much
closer guy friends. Not to say that my high-school gal pals weren't an
awesome bunch -- they were then and they still are now -- but I didn't
know how to appreciate who they were until much later. It took meeting
my twin-to-be in some friends’ dorm room as our sophomore year was
drawing to a rapid close to realize that I'd spent years looking for
this sister figure right in front of me. When I hesitantly friended her
after a truly neurotic internal dialogue that summer on LiveJournal ("Is
this stalkery?"; "Was she only humoring me and secretly wishing I'd
shut the hell up?"; "Will she think I'm trying too hard to be her
friend?"; etc.) only to discover that her username referenced Tristan
and Iseult, I had a nagging suspicion that I had discovered a kindred
spirit after a lifetime of right-person-wrong-time that neatly
summarizes my self-inflicted messy track record with people until that
point.
I was proven more right than I could've optimistically
imagined when another mutual friend later christened us as twins, which
is still how we squealingly address each other. She and I do
have a staggering many things in common, save for her ability to, like,
actually plan things (an area in which I fail with joyful abandon). So
when we recently found ourselves with simultaneously out-of-state mates,
she and I had every intention of cramming a whole lot of wedding stuff
into an uncharacteristically sans-SO weekend. Actually, I had every
intention of catching up on the reading that stupid work kept
interrupting but if there's one thing that trumps solitary bookworming,
it's a two-day romp through the tri-state area with my beloved and
sorely missed twin.
Our university days were a blur of turning
the college radio station (her territory) and college newspaper
office (mine, and also her then-boyfriend's) into The Place to Be at
Next-Morning-o'-Clock, nursing one cup of coffee after another in
flagrant abuse of her Starbucks employee discount, trips to New Hope or
Princeton for the hell of it or wherever our friends' makeshift bands
were playing that weekend, scenic everythings for mutual shutterbugging,
harassing the same roadies over and over again for set lists after seeing our favorite bands, and geeking the hell out over our shared affinities for things
like British lit, British musical outfits and British spellings. So when she
turned to me during our recent drive through Bucks County and said
something along the lines of "Screw the bridal show, wanna go to New
Hope?" and later "Oh damn, looks like we'll be spending tomorrow in New
York" while ogling dresses from her living room couch, it was like we
were carefree co-eds with time to kill together all over again.
So
maybe I did do the content of my first non-required taste of Virginia
Woolf a great disservice by tackling it in tiny pieces over the course
of a month. But having Orlando on the brain while clumsily prancing
around in pretty dresses in NYC boutiques, while examining tiny
treasures together in New Hope shops, while making a mad dash through the
Met in the hour before it closed as she played tour guide (where I
discovered a love of art I didn't know she possessed) more than made up
for that by reminding me of what it means to experience a feminine love
to the point where you want to write pages and pages detailing all the
things that make this woman uniquely magical so other people can come to
love this quirk and that idiosyncrasy, too. And I think that, more than
anything else, drove home the spirit of the novel better than an
uninterrupted reading experience may have. My twin and I might not have
shared the physical intimacy that Virginia and Vita did, but she's certainly
someone who gets me in a way few others do.
There was so much of
Orlando him/herself that had the part of me that needs to find myself in
every artwork, song, film and book frantically underlining passage after
passage in a story that, like my twin, I first encountered as a college
freshman but didn't completely recognize the wonder of until much later. Thanks to my first
big-girl's film-appreciation class, I was introduced to the whimsy of Orlando via its cinematic incarnation during the same semester I read A Room of One's Own, which should have been enough to make me a fan of Ginny Woolf had being an English major not left me with such an incongruous lack
of reading time (speaking of things that never change....). Anyway. The
things I foggily recall from the film -- frozen bodies underwater,
positively scrumptious costumes, blocking choreographed down to an inch
-- came screaming back and actually started adding to the sweeping
narrative of this gorgeous novel.
But when I saw Orlando almost
a decade ago, I had no idea that the novel itself was dedicated to
Vita, nor did I know that Woolf's lady lover inspired the titular
gender-bending character. Knowing that, plus having a better
understanding of the historical guideposts that pop up throughout
Orlando's centuries-long existence, turned this novel into the best kind
of brain candy. I'm a sucker for literary allusions by the armful and
lush symbolism (I'd rave about my late-to-the-party realization that
Orlando is the oak tree she'd been immortalizing in verse for
300-some pages but hasn't this so-called review gone on long enough?)
and pages soaked in true-to-life humanity, so it's only natural that I'd
enjoy Virginia's ode to a woman for whom her passionate love most
definitely stands the test of time. Way to throw down the gauntlet for
the rest of us, Woolf. And challenge accepted.
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